Date: 31 Mar 2022 - 31 Mar 2022
UMAG Lecture Series (2022/23): Re-examining Modernity and Contemporaneity through Chinese Art
Animation as a Way of Seeing: The Afterlife of Chinese Painting and Calligraphy
Date: Thursday, 31 March 2022
Time: 2:00–3:00pm HKT (7:00–8:00am BST / 30 March 11:00pm–31 March 0:00am PDT)
Venue: Zoom online, registration required
Cost: Free admission
Target: All are welcome. Registration required.
Please click here to register.
This lecture traces the afterlife of Chinese painting and calligraphy on the animation screen. We will bring into the critical spotlight Xu Bing’s 2012 animated video, The Character of Characters (Hanzi de xingge), which remediates Zhao Mengfu (1254–1322)’s painting and calligraphy. The new possibilities afforded by calligraphic animation are negotiated through a series of oscillations between image and text, spatiality and temporality, and diegetic and nondiegetic conventions. The dialogue that takes place between shu (books, written characters, and the act of writing) and the computer enables us to seek, pinpoint, and scrutinize a powerful intermedial creativity and its implications in an age of global media mix. We will pose a counter-historical question: has animation, as a way of seeing, always been with us, even before animation was invented?
Dr. Panpan Yang is a lecturer (UK equivalent of assistant professor) in the Department of the History of Art and Archaeology at SOAS University of London. She received her Ph.D. in 2020 from the University of Chicago. She is currently completing her first book on the history of Chinese animation from the 1920s to the present, with a focus on animation’s encounters with other artforms, including photography, painting, and calligraphy. Concurrently, she is working on a second book project on the calligraphic imagination in contemporary Chinese art and emergent media.
Prof. Mia Yinxing Liu, Associate Professor in the Visual Studies department at California College of the Arts, San Francisco, CA