Announcement: In light of The University of Hong Kong’s (HKU) Tourist Flow Management Scheme that began on 1 May, visitors to UMAG must register before entering the HKU campus (except for Sundays).
However, registered participants of UMAG’s public programmes are not required to also register through the Tourist scheme.
For Tourist registration and further details: https://tourist-registration-form.hku.hk/?lang=en#/pages/index/index

Research

Chan 2020: Chan Shing Kwan, 丹青映彩,墨香滿樓:香港大學美術博物館新入藏展覽直擊, in ARTouch, online [https://artouch.com/exhibition/content-12799.html].

Chan 2020: Chan Shing Kwan, 藝術與科技的火花:簡鳴謙個展「蛻變或對抗」, in ARTouch, online [https://artouch.com/exhibition/content-12665.html].

Chan 2020: Chan Shing Kwan, 來一場初春的藝術饗宴:香港大學美術博物館2021年春季展覽直擊, in ARTouch, online [https://artouch.com/views/exhibition/content-37403.html].

Knothe 2019: Florian Knothe, ‘Fu Wenjun’s Digital Pictorial Photography‘ (傅文俊的數繪攝影), in Zhuoke Artsonline [http://www.zhuokearts.com/html/20190614/243697.html].

Knothe 2019: Florian Knothe, ‘完美圖景——向世界展現中國的皇帝’ (‘Picture Perfect: Representing the Chinese Emperor to the World’), in 國際漢學 (Guoji Hanxue Journal) (International Sinology), 4, 78-87, 200-201.

Knothe 2018: Florian Knothe, ‘Contemporary History Painting and Social Engagement in Hong Kong, in Caroline Lang and John Reeve (eds.), New Museum Practice in Asia, London, Lund Humphries, 149-152.

Knothe 2017: Florian Knothe, Ying Tianqi: What Remains in Ruins, in Gallery Magazine, 224, 29-33.

Knothe 2016: Florian Knothe, ‘Photojournalism in Post-War Europe: Celebrated Times of Art Creation and Documentation ’, in A.M. Post, 119, 24-27. 

Knothe 2016: Florian Knothe, ‘In Pursuit of Beauty and Perfection: Contemporary Japanese Lacquerware by Takashi Wakamiya, in Arts of Asia, 46(3), 144-147.

Knothe 2016: Florian Knothe, Chen Xi’s Be Memorized: Contemporary History Painting in Modern-day China, in Art Hongkong, 115, 102-109.

Knothe 2015: Florian Knothe, Chinese Bronze Crosses: A Jingjiao Phenomenon of the Middle Ages, in Orientations, 46(5), 60-63.

Knothe 2014: Florian Knothe, ‘A Short History of Asian and European Eighteenth-Century Glass and its Non-Destructive Comparative Analysis, in A.M .Post:, 111, 82-85.

Knothe 2014: Florian KnotheRe-born, Nurtured and Grown: HKU’s Museum and Art gallery in Hong Kong’s Cultural Landscape, in A.M .Post:, 112, 22-23.

Knothe 2014: Florian Knothe, ‘Pablo Picasso’s Ceramic Oeuvre, in A.M .Post:, 110, 14-15.

Knothe 2014: Florian Knothe, Chinese Huanghuali and Zitan Furniture and its influeence over European Designs, in A.M .Post:, 109, 10-11.

Knothe 2014: Florian Knothe, ‘Refuse the Shadows of the Past: Austrian Art Made in China, in A.M .Post:, 108, 10-11.

Knothe 2014: Florian Knothe, Reflections on Color: Artist’s Theory and Perception, in A.M .Post:, 106, 14-15.

Knothe 2014: Florian Knothe, Treasures, Traditions and Transformations: UMAG at Sixty, in Orientations, 45(2), 163-164.

Exhibition-related

Petit 2020: Hugo Petit, Florian Knothe, jamais très loin de la France, in Paroles, Alliance Francaise de Hong Kong, Novembre/Decembre, No. 260, 8-11.

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