Japanese Printmakers of the Twentieth-Century Renaissance:

Kurosaki Akira and Nakabayashi Tadayoshi

Perckhammer’s Peking:

A Photographic Documentation of China’s Capital City in the 1920s

David Clarke:

Colour in Space

Man with Red Plastic Bag in Hong Kong

Sketching His Land and People:

The Drawings of Eddie Chau

Abstract Evolutions:

Sixty Years of Paintings by Fong Chung-Ray

Momentous Mountains:

The Artistic, Philosophical and Cultural Engagement with Chinese Landscape Painting

COUPLET PAIR REBUS

The Principle of Cause and Effect in Art

Kings’ Inscriptions · Contemporary Interpretations

Embracing Landscapes:

The Artistic Journey of Professor Jao Tsung-i

Pablo Picasso:

Paintings in Glass

Potted and Painted:

The Production and Technical Development of Underglaze Blue Porcelain in China

Across Time and Space:

Re-visiting Twentieth-Century Chinese Oil Paintings

Alberto Reguera:

Homage to Aert van der Neer

Red and Blue and White:

Yuan and Early Ming Dynasty Ceramics from the Jinglexuan Collection

Blown and Tooled:

Western Asian Influences in Ancient Glass in China

Enduring Strength and Passion:

The Chinese and Western Art of Ting Yin Yung

Past and Present

Paintings by Brian Tilbrook

Noda Tetsuya’s Diary of Contemporary Japanese Prints

Eternal Transience, Enlightened Wisdom

Masterpieces of Buddhist Art

ADRIFT IN TIME—

PHOTOGRAPHY BY CHUN WAI

CAST AND CHASED:

THE INFLUENCE OF ANCIENT CHINESE BRONZE ON MODERN SILVER

REFLECTED BEAUTY:

CHINESE REVERSE GLASS PAINTINGS FROM THE MEI LIN COLLECTION

HIGH GOTHIC:

CHRISTIAN ART AND ICONOGRAPHY OF
THE 13TH–14TH CENTURY

GLAZED AND FIRED:

CELADON CERAMICS FROM THE UMAG COLLECTION