Upcoming Lecture💬
Diego Velázquez in the Gardens of the Villa Medici in Rome
During Diego Velázquez’s first trip to Italy (1629–1630), he lived for a time at the Villa Medici, where he painted two unprecedented, small garden views. Seemingly painted en plein air, these two works appear to be outliers within his body of work, and indeed within the history of European landscape painting more broadly. This paper first examines what makes the two paintings exceptional, then turns to how, far from being aberrations, they in fact fit cogently within Velázquez’s oeuvre. In doing so, it explores the artist’s distinctive relationship with the natural world.
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📆Date & Time: 23 October 2026 (Friday) | 9:30–10:30 am
📍Venue: Online via Zoom
💬Language: English
🎟️ Free admission, registration required (Link in Bio)
Coming up this October at UMAG 🦁
Stay tuned for updates, and check out our website via the link in bio for the latest event details and guided tour schedule.
十月精彩活動即將登場 🦁
敬請留意最新消息,並透過個人檔案連結瀏覽博物館網站,查看最新活動詳情及導賞團時間表。
#UMAG #香港大學美術博物館
【Upcoming Exhibition ✨ 展覽預告】
Calligraphy is the soul of Chinese characters and the lifeblood of Chinese civilization.
From the archaic simplicity of oracle bone inscriptions and bronze inscriptions, to the uniformity of Qin dynasty seal script and the vitality of Han dynasty clerical script; from the disciplined structure of Wei and Jin regular script, to the fluidity of running script and the untamed energy of cursive script—the birth of each script form reflects the spirit of its age.
Calligraphy has never been merely an art of lines. It embodies a vast spectrum of themes: the temperament of the calligrapher, the vibrant energy of living beings, prayers for blessings, the grandeur of mountains and rivers, the profundity of philosophical thought, the faithful transmission of classical verse, and the ideals of statecraft and official loyalty.
For centuries, countless individuals have devoted their lives to its study and practice. What makes calligraphy so compelling is that it is not merely an aesthetic pursuit, but a philosophy—and ultimately, a discipline of life itself. Between lifting the brush and setting it down, every nuance—the weight of the wrist, the speed of the brush tip, the density of the ink—is a true reflection of the inner state of mind.
The University Museum and Art Gallery, The University of Hong Kong is pleased to present the special exhibition Ink Rhymes Through a Millennium: Calligraphy by Cheung Cheuk Wai from 16 October 2026 through 10 January 2027. The display features works by the late Hong Kong calligrapher Cheung Cheuk Wai, covering a wide range of scripts and themes, showcasing the millennia-long history of Chinese characters. It offers a step into the world of brush and ink, to appreciate—between each stroke and each dot—not only Mr. Cheung’s lifelong devotion to calligraphy, but also the beauty of Chinese characters and the profound depth of Chinese culture.
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Ink Rhymes Through a Millennium: Calligraphy by Cheung Cheuk Wai
《墨韻千年:張焯槐書法展》
📆 16 Oct 2026 – 10 Jan 2027
🎟️ Free Admission 免費入場
📍 1/F & 2/F, Fung Ping Shan Building, UMAG, HKU, 90 Bonham Road, Pokfulam, Hong Kong
📍香港大學美術博物館 馮平山樓一及二樓
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Upcoming Lecture💬
Suzhou Transplanted: The Garden of Flowing Fragrance at The Huntington
This talk will introduce the Garden of Flowing Fragrance (Liu Fang Yuan) at The Huntington in Southern California, as well as exhibitions and programs its curators have mounted to share Chinese garden culture with American audiences. Conceived in dialogue with Chinese diasporic and Chinese American community members, and constructed between 2004 and 2020 in collaboration with architects and artisans from Suzhou, Liu Fang Yuan is the largest classical-style garden outside of China. Today, the garden features a small art gallery, an interactive scholar’s studio, and a distinguished penjing collection; further, it hosts weekly concerts, monthly lectures, and an annual artist’s residency program. Sited among The Huntington’s extensive collections, Liu Fang Yuan has become a platform for a variety of cultural programs that seek to open Chinese arts to local communities.
This is a part of the UMAG Lecture Series 2026. For other lectures in the series, please check the link in bio!
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📆 Date & Time: Oct 6, 2026 (Tuesday) | 11:00 AM – 12:00 PM
📍 Venue: Online via Zoom
💬 Language: English
🎟️ Free admission, registration required (Link in Bio)